Perhaps We’re Looking at the “Work” of Writing All Wrong

One of my major writing philosophies is that there will always be work to be done.

PileOfWork-265x300Quite a few years ago, I started to look at the work of writing as a necessity. As a fact. I realized I had to accept that there will always be a ton of work: there will be revision, false starts, freewriting, and hundreds of pages that will never end up in the book. I’ve become very zen about the amount of work a novel demands. It’s an integral part of my process. I accept it. And I’ve never been scared of the amount of work to be done since.

But lately, I’ve come across a lot of writers who say the exact opposite to me. They say things like: “I don’t want to put in that much work and have to throw it out.” Or “I’m afraid to do this revision. What if it’s the wrong direction?” or “I don’t have that kind of time.” I’ve talked to them about how freeing it is to explore a story through freewriting and brainstorming. Or the benefit of writing scenes from other character’s perspectives. Or the value of barking up the wrong tree and the empowerment that comes from learning something doesn’t work! But I’m always met with frowns and furrowed brows. Everyone wants to get to the finish line faster. They don’t want to put in the work.

Or rather, they don’t want to put in work they don’t see as useful.

This aversion to writing has always puzzled me. Writing is supposed to be a joy. It’s supposed to be fun. When did that joy go away and get replaced with perfection and efficiency? When did writing really become work?

I had an ah-ha moment recently. I was reading Wonderbook by Jeff Vandermeer, and in it he makes a case for the importance of play in inspiration and the creation of creative works. Play! Not work. Only in today’s society, we frown on the concept of play. We see it as childish and unimportant, when, in fact, it may be the most important thing a creative person can cultivate. Here’s the passage that struck me:

Wonderbook“Inherent in the idea of play being immature and frivolous is the idea that, just like business processes, all creative process should be efficient, timely, linear, organized and easily summarized. If it’s not clearly a means to an end, it must be a waste of time. In the worst creative writing books, this method is expressed in seven-point plot outlines and other easy shortcuts rather than exercises to help encourage the organic development of your own approach. This bind in codification sometimes reflects fear of the unpredictability of the imagination and the need to have a set of rules in place through which to understand the universe.” – Jeff Vandermeer (Wonderbook)

Is it possible we’ve foolishly replaced the word “play” with “work”? In our need to be professional writers, productive students, and serious business-savvy authors, have we forgotten the most fundamental part of creativity? Have we forgotten to play?

I began to wonder if this was why I’m not afraid of the work it takes to write a novel. For me, writing isn’t work. It’s fun. It’s a creative exploration into my characters, their world, the possible points of view the story could be written in, or the possible scenes that could exist. It’s about exploring how wide and deep and wonderful a story can be, rather than seeing it as a straight shot from beginning to end.

PlayWhat if we’re thinking about the work of writing all wrong? What if we need to switch the words “work” and “play”?

“It’s not time to work on this revision. It’s time to play with this revision.”

“I’m going to open my manuscript and not work, but play.”

Does changing one word change our attitude toward revision, exploration, and the time involved? If we think about rewriting a scene as a chance to play, does it free us from the pressures of efficiency and organization? Does it make room for the story to break open and explode with inspiration and creativity?

What if working on a novel is efficient, but not effective? What if taking the long route – taking the time to play – will result in a more joyful writing journey? What if it will result in a deeper and more complex creative pursuit? What if it will open us – and our novels – up to the unexpected and the profound? Isn’t that worth the “frivolity” of play? Isn’t that worth abandoning short cuts and organization?

What if playing is what make us stronger and more creative? What if playing is what actually makes us effective writers?

Only one way to find out. I’ll see you on the playground.

Why Aren’t You Facing Your Fears?

no-fearI just returned from the Wedding and Portrait Photographers International conference (WPPI) in Las Vegas, and I’m over-the-moon jazzed with excitement! My fiance is a wedding photographer and I work for him part time – hence my attendance at the conference. Indeed, much of the conference was about creativity, technique, and a photographer’s unique eye. But the sessions that got me excited were the ones about creating a sustainable business.

Many of us write as a hobby. We dream about being published and writing full time someday. WPPI was full of practical advice on marketing, workflow, and customer service, but the stuff that got me thrumming with ideas were the classes that asked:

Why aren’t you facing your fears and committing to this?

If you’ve been following my Facebook or Twitter feeds, you probably read some of the following quotes as I tweeted from the conference floor. For this post, I’ve collected them together to share. And boy, do they provide one helluva kick in the pants!

The Hard Truth:

  • “You can be passionate about what you do and still suck at business. Being passionate isn’t the whole picture.” – Jeff Jochum

On Fear:

  • Fear“Fear will cause you to lose focus every time, because you’re looking at all the potential for failure, instead of concentrating on success.” – Dave Ramsey
  • “The more fear we have of a work or calling, the more sure we can be that we have to do it.” – Steven Pressfield
  • “The only limitations are those we set up in our minds.” – Napoleon Hill
  • “Tomorrow is not promised to any of us.” – Jaleel King
  • “Worry does not empty tomorrow of its sorrow, it only empties today of its strength.” – Corrie ten Boom
  • “Vulnerability equals value. It shows people you’re human and real.” – WPPI
  • “Fear is an opportunity for courage. We are all afraid, which means we all have the opportunity to be courageous.” – D Park Photo
  • “Remembering you are going to die is the one way to avoid the trap of fearing you have something to lose.” – Steve Jobs
  • “Fear gives you excuses for why not. But you can give a million and one excuses for why not. Beware of everything becoming an excuse. It becomes a way to keep yourself from living.” – Jaleel King

“You can either live in your fears or live in your dreams. Most people choose to live in their fears.” – Jeff Jochum

On Compromise:

  • “If you limit your choices to what seems possible and reasonable, you disconnect yourself from what you truly want and all that’s left is compromise.” – Anais Nin

On Impostor Syndrome:

  • “When you’re an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.” – Amanda Palmer

Surrounding Yourself With the Right Influences:

  • “You will become the average of your 5 closest friends. It’s always easier to pull someone else down, than it is to pull them up.”
  • “Where you will be in 5 years depends on two things: the books you read and the people you hang out with.” – Zack & Jody Grey
  • “The number one enemy of learning is experience. You think you already know everything.” – Jeff Jochum

On Finding a Balance:

  • “Live in the tension of who you are and who you want to be.” – Dane Sanders
  • “Expression beats perfection.” – Bambi Cantrell
  • “What is it that makes you feel like you’re not good enough? Flip this logic. Define what you love about yourself. This changes the energy from “I’m not good enough.” to “You’re just not right for me.” When you say you’re not good enough. This is YOU rejecting You!” – Jeff Jochum”

This is only a taste of the awesomeness that was WPPI! More inspiring blog posts to come!

“Stop hiding in insecurity. Start sharing your story, and begin your legacy.” – Katelyn James

It’s All About Taste

I’ve been thinking a lot lately about writing, publishing, and the importance of taste.

TasteMany of my friends are in the trenches of querying agents and submitting novels. They’re racking up long lists of rejection letters and wondering why they aren’t good enough. They’re asking: Why doesn’t this agent want my book? Why didn’t they connect with the material? What am I doing wrong? Should I give up writing?

Rejection seems to be a constant in the world of writing and publishing. The long-desired moments of praise and acceptance seem to be temporary and fleeting. Yet, rejection is something we writers deeply internalize, having spent hours, and months, and years creating our novels. We want people to see that effort as worthwhile.

Illustrated silhouette of a man sitting with his head in his handBut too often we believe that the rejection of a book is also a rejection of the writer. Slowly, brutally, I’m learning that it’s not that simple. In fact, I’m learning that a rejection has very little to do with me, and everything to do with the book. Or more accurately, sometimes it isn’t even about the book, it’s all about taste: the taste of the agent, the taste of the editor, or the taste of the market.

Let me take a moment to share three examples that have changed the way I look at submissions and rejection. Hopefully these will help you to see there is hope, lots and lots of hope.

1) My Editor Didn’t Want My Second Book

Last week my current editor (the one who adores my first book and bought it within two weeks of submission) just passed on my new novel. She said she “didn’t connect with it.” That’s the agent/editor kiss of death isn’t it? It’s a generic statement of rejection that won’t let me know how to move forward to what to change. Only – here’s what’s empowering about that statement. All it means is that this book doesn’t match my editor’s taste. Sure, I want my editor to love my books – all of them – but that’s unrealistic. This rejection doesn’t mean she doesn’t adore my writing. She would never have bought the first book if she didn’t think I was talented. All it means is she didn’t connect with this story. And after rejecting this book she promptly asked what else I’m working on. The rejection of one book is not the rejection of every story I will ever write.

2) Agents Want to Feel Goosebumps

goosebumps_2443265bA colleague of mine is the assistant to a top-tier agent at a large agency. Recently, I asked her what causes her boss to pass on a project or decide to represent a writer. She said: It’s all about taste. The book has to give the agent goose bumps. But here’s the part you need to hear: She also said that they pass on great books all the time, beautifully written books, books she knows will sell, books that she is certain another agent will scoop right up. So why doesn’t the agent scoop it up herself when she knows it will sell? The answer is simple: it didn’t give her goose bumps. It wasn’t something she loved. Finding an agent is all about finding the best advocate for your work, and that can only be done when both you and your agent adore the book. Would you really settle for an agent who doesn’t love your book?

 3) I Don’t Care if You’re a Bestseller

bestseller_graphicsmall1My last story is about a friend who is a New York Times bestselling author. She’s sold multiple book series, speaks at conferences around the world, and has had large publishing contracts. In all the traditional measures of success – she’s made it! But guess what, she’s currently self-publishing her next series. Why you ask? Because the market is scared. Her new series is a paranormal romance and well … we’ve all heard that market is dead. It doesn’t matter that she’s a bestseller. None of the publishing houses want to take the risk. Again, it isn’t about her or her writing, it’s about the book, and how scared the publishers are about the taste of the market. So what has she done? She’s taken the power back and is self-publishing the series on her own. She believes in her work and that the book will find an audience that loves it too.

Ultimately, we can only hand over so much of our power to others. You love the novel you’re writing and submitting. Have faith that it will find the right agent, editor, and reader that loves it as much as you do.

Yes, there are lots of gatekeepers on the road to publishing. But remember that gatekeepers are only taste-makers. They don’t determine what is great, they pick what they like. They pick what aligns with their own taste, and they gamble that others will have a similar palate.

Keep writing. Keep submitting. Write the next book.

How to Take Criticism

love_leonie_leaf_border_445I came upon a little bit of wisdom in an interview with artist and entrepreneur Leonie Dawson. This is the best answer I’ve ever heard to the question of who’s criticism you should value.

Question: “How do you deal with people’s criticism?”

Leonie’s answer: “Ignore anyone’s advice / criticism / judgements unless they are genuinely happier than you.”

Brilliant! What an important and powerful way to look at the world.

Do You Ever Think About the Universe, Mr. Trout?

Last night I saw the children’s movie The Box Trollswhich is an Academy Award nominee for Best Animated Film this year. The Box Trolls is absolutely glorious, not to mention fun and beautifully made. I highly suggest it. But what I really wanted to share with you is this small moment from the end credits. Don’t worry, there are no spoilers here. It’s a magical moment where two animated characters ponder their place in the universe. It’s surprisingly profound, and shows the time and effort it takes to make art. It’s not to be missed!

Art School Getting You Down?


The marvelous Martha Hull of: Cute. Funny. Deadly. Art & Stories.

Last week I was catching up with a fellow pink-haired friend from art school, Martha Hull. She and I were chatting about the creative life, books, and running our own small businesses. In the midst of our conversation about the struggles of finding an audience and making art that we’re passionate about, Martha looked at her studio wall and said:

“Wait! I have and inspirational quote on the wall about this!”

She proceeded to share with me an email I sent her twelve years ago. An email that she printed out, decorated, and still has hanging on her studio wall.

The email is a lengthy quote from Tim Burton on the importance of making art because you love it, and forgetting all the other negative chatter. Hearing it again after all these years gave me chills. It still holds up. It’s still a lesson I need to remember a whole decade later.

I asked Martha to send me a picture of that decorated email, and here it is:


In case you can’t read the email. Here’s what it says:

Subject: Art School Getting You Down?

Date: Thursday, January 2, 2003

Message: Just in case you’re feeling like you can’t draw – thought I’d send you a few words of wisdom from good ol’ Tim Burton:

“I remember going through art school, and you’ve got to take life drawing, and it was a real struggle. Instead of encouraging you to express yourself and draw like you did when you were a child, they start going by the rules of society. They say “No. No. You CAN’T draw like this. You have to draw like THIS.” And I remember one day I was so frustrated – because I love drawing, but actually I’m not that good at it. But one day something clicked in my brain. I was sitting sketching and thought, “Fuck it, I don’t care if I can’t draw or not. I like doing it.” And I swear to God, from one second to the next I had a freedom which I hadn’t had before. From that point on, I didn’t care if I couldn’t make that human form look like the human form. I didn’t care if people liked it. There was this almost drug-induced sense of freedom. And I fight every day, someone saying, “You can’t do that. This doesn’t make any sense.” Every day it’s a struggle. It’s just a question of trying to maintain a certain amount of freedom.” – Tim Burton (Burton on Burton)

Go make art because you love it!


Cool huh? It’s kind of awesome to be getting advice from yourself twelve years later.

Have you been writing for years and publishing has you down? Are you in that brutal state of querying where you’re surrounded by rejection? Are you being told that what you’re writing isn’t right for the market? Are you in the middle of that difficult draft that no one else seems to understand? I say: print out this quote and put it on the wall and remember the LOVE. The love of writing. Writing because you LOVE to write.

Forget everything else and embrace the joy. Find that little nugget of freedom and never let go!

All We Left Behind: Cover Reveal!

Happy New Year everyone! I hope you all had wonderfully merry holiday and New Year.

I’m excited to start the new year with a BANG! Yup, I have something super special to share with you all. Today you get to see the book cover of my forthcoming debut novel All We Left Behind! This is a big milestone in my life, and I can’t wait for the book to hit the shelves in December 2015. Are you as excited to see the new cover as I am excited to share it?

Cue the dramatic music …


To heighten the dramatic tension …

You actually have to go to another blog to see the cover! (Doesn’t this feel like an exciting “choose your own adventure” book?)

The Cover of All We Left Behind can be seen on TWO blogs:

In addition to showing off the book design, you can also read exclusive excerpts of the novel on both blogs. Each blog has a different snippet – so be sure to visit both!

2014 was a good year to me, I hope 2015 is even better. Thank you all for being here to share in the excitement!

A Merry Merry Dr. Seuss Display

One of my childhood dreams came true this year. I designed and created a window display!

Yes, I am a child of the 80’s and it’s possible I watched the film Mannequin one too many times. But when I was little, I wanted to grow up and be a window dresser. My local independent bookstore — Vroman’s Bookstore — made that dream come true. They asked me to create a Dr. Seuss holiday window and of course, I accepted!

As we drink egg nog and celebrate with our families, I thought I’d share a few images of the window’s creation. Here are my adventures with foam core and paint.

I sketched out the Grinch.

Dr. Seuss Window Display

I painted all the Whos playing with their toys.

Dr Seuss Window Display 2

Dr Seuss Window Display 3

Russell helped me install the window. He’s very tall, which made stringing up the elements with fishing line nice and easy.

Dr Seuss Window Display 4

The display is based on this illustration in Seuss’s classic How The Grinch Stole Christmas.

Grinch Image

And here is my interpretation of it.


Dr Seuss Window Display 1

The Grinch isn’t in the original illustration, but I had to add him in!


And, voila! A small girl’s dream of creating a window display comes to life!

Window Display 10

May all your dreams come true this holiday and New Year. Be Merry Merry everyone!

Twitter for Authors

Ingrid on twitterDoes Twitter mystify you? Is everyone around you talking about it (and using it), but you’re not sure why Twitter would be useful to you as an author?

I like to think about Twitter as one big global “town square” where you can share your opinion, have conversations, share, and do it in real time! Twitter is a great platform to build and interact with your audience.

Even if you’re an old pro at twitter or new to the tweet-a-sphere, check out these quick tips on how to use Twitter to talk about you and your books.


  • Don’t just post links. Be you and show your readers that you’re a real person.
  • Not sure what to say on Twitter? Follow other people with similar interests as you. Share your hobbies, personal interests, favorite sports team, or your thoughts as you watch TV shows or read a book.

Maureen J tweet

  • Find your own authentic voice.  For example @ruthreichl tweets in a beautiful writerly voice:

Ruth Tweet

  • @JudyBlume tweets about her life in a direct and frank manner:

Judy Blume Tweet

  • @timFederle is really funny:

Tim F tweet


  • Followers want to learn about your life! Share your writing life and writing tips.

Stephen King Tweet

  • Use photos, videos, and vine to share your process.

Paulo C Tweet

  • Get advice and tips from your followers. Crowd source content if you want.


  • Respond and tweet about you and your books.
  • Engage with your followers, talk about what they’re doing.

Holly Black Tweet

  • Host a Q & A on twitter. Remember you don’t have to answer every question asked of you. Pick the ones that allow you to share the message that’s important to you.
  • Do an account take over. This is when you tweet from another account and reach a new audience. Sometimes authors do this with bookstores or media outlets.


  • Search for your name on twitter, or your book’s name. This will show you conversations people are having about you and your work that you weren’t tagged in.
  • Use hashtags.
  • See what public conversations are happening about you or your book.
  • Search by using:

Twitter search


  • Write stories on twitter. Check out the hashtag #TwitterFictionFestival2014, where tons of authors experimented with fiction and tweets. Learn more by visiting their archive:

Twitter fiction festival archive

  • Tweet a short story like R.L. Stine did.
  • Shared a non-fiction essay like author Teju Cole. He shared a whole essay “A Piece of the Wall” in 140 character tweets. He created its own account to do it.

A Piece of the wall Tweet

  • Create conversations with other authors.
  • Invent characters, or tweet as your character.
  • Tweet about parallel worlds.
  • Experimenting creates interest and gathers followers. Create new things and you’ll get attention.


  • Don’t focus on your overall number of followers.
  • Focus on how much your followers interact with you.
  • Pay attention to the rate in which you collect new followers (i.e. one per day, etc.) and see how that relates to your activity on twitter.
  • Are you getting lots of re-tweets? Is your message moving past your followers to new groups of people?
  • Don’t “buy” followers from services that promise to increase your twitter numbers. Twitter doesn’t like these accounts and deletes them when it finds them. Plus you’re not interacting with the followers on this list. It’s just numbers and not genuine interaction.


  • As frequently as you want. It’s up to you to see what works for your schedule.
  • It’s good to create a habit. Tweeting once a day is a great way to create a habit. Think about tweeting every time to sit down to watch a show, etc.


  • You can create as many accounts as you want.
  • You won’t lose followers if you change your twitter handle. Feel free to create a new handle with the account you have instead of creating a whole new account.
  • Don’t create a personal account and a professional account. Followers want to get to know you and will want to see what’s in the personal account.
  • Create a new account for your character!


  • Put on your public face. Twitter is live and instant. Behave as you would in public.
  • It’s a great place to debate, but keep it simple.
  • Don’t use too many hashtags. Stick to one hashtag per tweet. More than one hashtag can start to look like spam.
  • Everything you tweet is searchable. Nothing is private unless you use Direct Message.


  • It’s super popular with the teen market right now.
  • Engages with your followers in a visual way.
  • It’s great for visual storytelling.



  • Try and focus your twitter campaigns around you book release.
  • Check out @twitterbooks. They’re always tweeting interesting things that other authors are doing!

Twitter Books


Happy tweeting everyone!